Review of ‘A Doll’s House’ at the Arcola Theatre

Set in the 19th century, ‘A Doll’s House’ focuses on the seemingly idyllic marriage of Nora Helmer and her husband Torvald. With Christmas just a few days away and Torvald soon to start his new job as a bank manager come the New Year, things could not be more perfect for the couple. However, the superficial exterior soon begins to crack with the arrival of Nora’s school friend Kristine Linde and the appearance of Nils Krogstad who threatens to reveal Nora’s most closely-guarded secret which could change her life forever.

Henrik Ibsen’s play examines the powerlessness faced by women in this period, particularly in relation to money. The themes were controversial in their own time yet will still captivate contemporary audiences given gender equality is still an issue in today’s society. The play also touches upon materialism, something which will strike a chord with many given the current economic climate and the need to be thrifty.

In terms of acting, each member of the cast is superb, each giving a powerful and well-rounded performance. Gina Abolins who plays Nora gives a good turn as the kept wife, essentially the “doll” who inhabits the house of the title. Abolins captures Nora’s immaturity and her awareness of the power of her sexuality. She is girly with a flirtatious edge. The trio of eerie spectres are brilliant, they represent Nora’s past, present and future, and create an underlying sense of tension that is never broken even as the house lights fade to black.

This production is taking place in the recently-moved Arcola Theatre and the rustic feel of the theatre adds to the atmosphere. The design of the set places the audience inside the doll house that Nora lives in and also the heart of her internal conflict. The lack of space augments the claustrophobia of living inside the doll’s house. Despite the simplicity, the childish feel of the doll’s house is conveyed through the pastel fabrics draped on the walls and hanging from the ceiling. While the chintzy lampshades add to the bygone era in which the play is set and reinforces the traditional image of a doll’s house. An assortment of picture frames, tea cups, baubles, spoons, cupcakes and ice cream hang on the main wall adding to the slightly surreal nature of the play.

This is a wonderful production of an Ibsen classic with each member of the cast holding their own which should not be missed.

‘A Doll’s House’ is running at the Arcola Theatre from now until 30th July 2011. For more information visit www.arcolatheatre.com

Picture: Bjarte Rettedal

A journalistic observation on the unfolding of Norway

On the afternoon of Friday 22nd July, I along with journalists in newsrooms across the world watched as the mayhem in Norway unfolded. Following the blasts at government buildings, the Twittersphere exploded in response to the events. People tweeted about what they had seen and heard, re-tweeting others. There were news organsiations and journalists tweeting every few moments as well. I watched as my timeline update while the hashtags and trending topics changed to 'Norway', 'Oslo' and 'NRK', the largest Norwegian news broadcaster, whose footage was being shown by BBC News.

As BBC News showed the devastation, I noticed a new trending topic on Twitter: 'Utøya', clicking on it I found a flood of tweets mentioning a shooting taking place on the nearby island of Utøya, the shooter was a man dressed as a policeman. At that point many news organisations had yet to pick up on it and I felt if my duty to re-tweet something of the shooting however, when re-tweeting there is a question of reliability. Which sources could be trusted and which could not.

The journalists around me only took information that had been tweeted by two different organisations in order to ensure reliability. I followed their example, carefully looking out for trusted organisations and journalists' tweets about Utøya and then re-tweeting the information. Sometimes it is easy to become caught up in a news story and it is important to stay focused and try to make sure the facts are as accurate as possible. Verification of the facts is so important, get them wrong at your peril, which is why even re-tweets should be as reliable as they can be. If the facts are wrong, it reflects poorly upon the person who has re-tweeted them and reliability is part of the strong bond between the media and the people.

The news eventually appeared on the television but as is now always the case, Twitter got there first. The people tweeted and the news media responded. Individuals who knew teenagers on the island tweeted warnings about not contacting loved ones in case they were hiding. If Twitter had existed during the Columbine massacre I have no doubt it would have been the same: young people using social media to tweet to the world about what was going on.

I suppose with Twitter and the internet as a whole there will always be a question of reliability.